NoMBe was raised in Germany and is based in Los Angeles, he has consistently stretched and sculpted a singular style. He formally introduced himself on his full-length They Might’ve Even Loved Me [2018] followed by Chromatopia [2021]. Standouts like “Wait,” and “Freak Like Me” upped his total streams to nearly 1 billion and counting. For NoMBe, music exists in a constant state of evolution. He naturally untethers his sound from standard genres and allows it to transmogrify at the speed of his life. One personal season may translate to tape best through electric guitar awash in distortion, while the next pins itself to analog synths and disco beats. He essentially responds and reacts to the ebb and flow of his day-to-day journey by writing songs. Now, he progresses once again on his third album, Diáspora [Position Music]. The record threads together an eclectic patchwork inspired by the music of black artists over the last 60 years and showcases the breadth and diversity of his signature sound. NoMBe is building a musical and visual world for this album hyper focused on the cultural monuments built by the African Diáspora.